Speaking Natalie  

To Speak Natalie. v.
1. To speak another's idiosyncratic dialect of English.
2. To understand//appreciate who that person is.


Natalie Comfort of the Day
Seeing the Hills of Home.
I've never actually seen hills like home: grassy but studded with rocks, rising steeply against the horizon. This is the skyline that still feels like home.

Previous Comforts of the Day
. Driving Betsy
. Roleplaying
. Waltzing
. Requested Back and Shoulder Massages
. Getting Complimented on Your Dancing
. Hot Cider
. Singing
. Being Held
. Finger Jello
. Violins
. Unsolicited Back and Shoulder Massages

On Spirituality

"But I thought you agreed that Spirit was the good - the end of the whole process? I thought you religious people were all out for spirituality? Didn't we agree that God is a spirit? Don't you worship Him because He is pure spirit?"

"Good heavens, no! We worship Him because He is wise and good. There's nothing specially fine about simply being a spirit. The Devil is a spirit."
- C.S. Lewis

On Honor

In the late twentieth century, you couldn't seriously ask other people to think that you believed in

honor
and truth
and the purity of the body
the defense of women
the sanctity of true love
and all the rest of it.

But apparently, Andre really had believed it.
- Michael Crichton

On Duty

Do not confuse "duty" with what other people expect of you; they are utterly different. Duty is a debt you owe to yourself to fulfill obligations you have assumed voluntarily. Paying that debt can entail anything from years of patient work to instant willingness to die. Difficult it may be, but the reward is self-respect.

(This rule does not mean that you must not do a favor for a friend, or even a stranger. But let the choice be yours. Don't do it because it is "expected" of you.)
- Robert A. Heinlein


"A Woman's Question"

Do you know you have asked for the costliest thing
Ever made by the Hand above?
A woman's heart, a woman's life -
And a woman's wonderful love.

Do you know you have asked for this priceless thing
As a child might ask for a toy?
Demanding what others have died to win,
With the reckless dash of a boy.

You have written my lesson of duty out,
Manlike, you have questioned me.
Now stand at the bars of my woman's soul
Until I shall question thee.

You require your mutton shall always be hot,
Your socks and your shirt be whole;
I require your heart to be true as God's stars
And as pure as His heaven your soul.

You require a cook for your mutton and beef,
I require a far greater thing;
A seamstress you're wanting for socks and shirts -
I look for a man and a king.

A king for the beautiful realm called Home,
And a man that his Maker, God,
Shall look upon as He did on the first
And say: "It is very good."

I am fair and young, but the rose may fade
From this soft young cheek one day;
Will you love me then 'mid the falling leaves,
As you did 'mong the blossoms of May?

Is your heart an ocean so strong and true,
I may launch my all on its tide?
A loving woman finds heaven or hell
On the day she is made a bride.

I require all things that are grand and true,
All things that a man should be;
If you give this all, I would stake my life
To be all you demand of me.

If you cannot be this, a laundress and cook
You can hire and little to pay;
But a woman's heart and a woman's life
Are not to be won that way.

- Lena Lathrop


Fere. n. A companion, comrade, mate.

"Ballad of the Goodly Fere"

Ha' we lost the goodliest fere o' all
For the priests and the gallows tree?
Aye lover he was of brawny men,
O' ships and the open sea.

When they came wi' a host to take Our Man
His smile was good to see,
"First let these go!" quo' our Goodly Fere,
"Or I'll see ye damned," says he.

Aye he sent us out through the crossed high spears
And the scorn of his laugh rang free,
"Why took ye not me when I walked about
Alone in the town?" says he.


Oh we drunk his "Hale" in the good red wine
When we last made company,

No capon priest was the Goodly Fere
But a man o' men was he.

I ha' seen him drive a hundred men
Wi' a bundle o' cords swung free,
That they took the high and holy house
For their pawn and treasury.


They'ss no' get him a' in a book I think
Though they write it cunningly;

No mouse of the scrolls was the Goodly Fere
But aye loved the open sea.

If they think they ha' snared our Goodly Fere
They are fools to the last degree.
"I'll go to the feast," quo' our Goodly Fere,
"Though I go to the gallows tree."


"Ye ha' seen me heal the lame and blind,
And wake the dead," says he,
"Ye shall see one thing to master all:
'Tis how a brave man dies on the tree."

A son of God was the Goodly Fere
That bade us his brothers be.
I ha' seen him cow a thousand men.
I have seen him upon the tree.

He cried no cry when they drave the nails
And the blood gushed hot and free,
The hounds of the crimson sky gave tongue
But never a cry cried he.

I ha' seen him cow a thousand men
On the hills o' Galilee,
They whined as he walked out calm between,
Wi' his eyes like the grey o' the sea,


Like the sea that brooks no voyaging
With the winds unleashed and free,
I ha' seen him eat o' the honey-comb
Sin' they nailed him to the tree.
- Ezra Pound


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If you're a person who likes to go into a movie knowing nothing about it and you haven't seen The Lion, The Witch, and the Wardrobe yet, stop reading and go see it. Right now.

I suppose I have quite a lot to say about the movie, but I don't know how much of it is really suitable for posting here. So let me make one general observation, and one specific observation. The general observation is that it was glorious. Indeed, it was excellent.

The specific observation is that I really like what they did with Peter and Susan. Now, they didn't change anything (I add that for the benefit of you rash souls who failed to heed my warning, supra), but they did add things. I guess. The thing is, Susan and Peter really didn't have a reason for existing before. Especially Susan. Peter at least served the role of being Peter, the High King. The Narnian Arthur. But they were still flat, and most importantly there was never really anything wrong with them. They were the big kids, the responsible ones. As Archimedes put it, in the book when Peter says to Aslan, "It's my fault. I was too hard on him [Edmund]," (not what he says in the book exactly, but you get the point) your response is to go, "No it's not!" But in the movie your response is to say, "Yeah, it really was your fault."

That's just an example. The point is, if Peter and Susan are simply good kids, they serve no point in the story. Edmund's role is obvious - he's the redeemed kid. And that is why he grows up to be Edmund the Just. Lucy's role is also pretty obvious - she's the one with faith like a child. And that is why she grows up to be Lucy the Valiant (side note: I have decided that the proper labels for the chivalrous lady knight are wise, magnificent, and valiant). But what are Peter and Susan supposed to teach us about the Christian life? From the books it's hard to get a real feel for that.

From the movie, I thought I got a pretty good sense. Peter is not just the grown up kid, the responsible one. Peter is the kid who wants desperately to do the right thing, to be fierce and protect his family, and (here's the important part) no matter how hard he tries he can't. It's not that his heart isn't in the right place. His heart is in the best place a human heart can be. It's not that he doesn't try. He tries with every fiber of his being. And yet he can't do it. It's not enough. He isn't the man he wants to be, that he needs to be, and he knows it. He doesn't lack heart. Or will. Or even action. He lacks Aslan. Peter's story is about finding out where his strength truly lies. And that is why he grows up to be Peter the Magnificent. That tells me something about being Christian. About being a man.

And Susan - Susan may have just replaced Peter as my favorite character in these books. I thought all of the children's performances were great (and Lucy was just phenomenal), but Susan broke my heart. She just popped off the screen for me, a real girl. You could really see how Susan "always was a jolly sight too keen on growing up," and really feel the pathos of that. Because Susan wants to be responsible. She wants to be a pillar of strength to her family, and see them all through all right in the end, and be a good servant-leader. And you can see her come to long for the wildness of Aslan, and the wildness of adventure. You can see why she grows up to be Susan the Gentle, and why kings from across the world would want her as their Queen. She's magnificent, and I think a man meeting her would be strongly tempted to bow down and worship her. And you could also see, watching Anna Popplewell's performance, how Susan goes wrong. How the girl who becomes Susan the Gentle could just as well have "wasted all her school time wanting to be the age she is now, and she'll waste all the rest of her life trying to stay that age." This movie made me actually feel for what Susan loses, and made me feel the all-too-tragic reality of why she loses it. Her story tells me something about being Christian.

It was excellent.
  posted by Natalie @ 5:10 PM 0 comments


Saturday, December 10, 2005  
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